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The resurgence of the "It's Like That" Raxon Edit is part of a larger trend of DJs playing "re-edits" of classic hits.

An iconic B-boy vs. B-girl dance music video that became an MTV staple.

Hypnotic club grooves, heavy lower-end drive, tailored for dark sound systems. Festival weapon played by elite electronic DJs. 1. The 1983 Foundation: Run-D.M.C. Introduces a New School

But the search for "Raxon E" is the mark of a true crate digger—someone looking for the gritty, mislabeled, 192kbps bootleg that you downloaded from a Geocities page. run dmc jason nevins its like that raxon e

Nearly 15 years later, American producer Jason Nevins transformed the track into a high-energy house anthem. This version topped charts in over 30 countries and sold over five million copies.

House DJ Jason Nevins was a name known in underground dance circles, releasing singles under various monikers on nearly every big underground label. In 1997, as something of an experiment, he created his own bootleg remix of Run-DMC's "It's Like That." He originally produced the track as a bootleg for fun. The remix, which would be officially titled "Run-DMC vs. Jason Nevins," transformed the sparse hip-hop original into a high-energy hip-house anthem, perfect for the late-90s club scene.

It retains the iconic vocal hooks and synth stabs of the Nevins version but layers them over a driving, modern techno groove. Further Exploration Watch a live clip of the track being played at Time Warp on The resurgence of the "It's Like That" Raxon

, frequently appearing in DJ sets and leaked or previewed on platforms like SoundCloud

“It’s Like That” began as a stripped‑down manifesto of hip‑hop’s late‑1980s street realism and ended up, nearly a decade later, as a global dance‑floor phenomenon that reintroduced Run‑D.M.C. to a new generation. The song’s journey — from the group’s 1983/1984 era to Jason Nevins’s 1997 remix and its reverberations through club culture, radio programming, and cross‑genre collaboration — illustrates how remixes can reframe meaning, revive careers, and accelerate pop culture exchanges across time, geography, and musical taste.

The infuses the track with his signature sonic palette: Hypnotic club grooves, heavy lower-end drive, tailored for

His version was originally a side project, a "remix for a laugh," but it was so powerful that it was soon picked up for an official release. Upon its release, the remix, credited to ‘Run-DMC vs. Jason Nevins’, was an immediate sensation. It became a "sleeper hit," building momentum through 1998 and eventually becoming a global chart-topper.

By not having a standard digital release, Raxon’s version remains exclusive to DJs who play it out, creating a "hype" factor when it is dropped in a set.