While Fygi had previously experimented with intimate jazz trios, Latin rhythms, and lush string sections, recording an album flanked by a roaring, 17-piece big band had remained a long-term dream. Released in early 2011 by T2 Entertainment and Out Of The Blue, transformed that dream into a reality, pushing her vocal prowess into vibrant, high-energy sonic spaces. Album Production and Creative Direction
These moments showcase her ability to handle slow, romantic ballads with delicate control.
Departing from smaller combo settings, the album features lush, powerful brass and rhythm sections. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
Reviewers highlight Fygi's ability to maintain her "feisty sense of self-reliance" while swinging easily through these grand arrangements. Her voice, often compared to Julie London
The Best Is Yet To Come is not a traditional jazz album, nor is it mainstream pop. It exists in a lush, elegant middle ground—often called “adult contemporary” or “sophisticated pop.” The tracklist is a carefully curated journey through 14 songs that span genres and eras, each reimagined with Fygi’s signature blend of restraint and tender intimacy. While Fygi had previously experimented with intimate jazz
This is a significant upgrade from "lossy" MP3s, which permanently discard audio data to save space, resulting in a flatter, less detailed sound.
In the years since, the album has gained a second life among the “lossless revival” movement. Younger listeners, discovering FLAC through Bandcamp or Qobuz, often stumble upon Laura Fygi as a gateway artist—someone who bridges classic jazz songwriting with modern, polished production. Departing from smaller combo settings, the album features
: The title track is an optimistic, swinging standard that showcases Fygi’s ability to command a melody with grace.
Whether you are a lifelong fan of Laura Fygi or a jazz purist looking for an exceptionally recorded big band album, this 2011 masterpiece proves that when it comes to pristine audio quality and flawless vocal execution, the best is truly yet to come. To help find more music like this, let me know:
The title track, famously written by Cy Coleman and Carolyn Leigh and popularized by Frank Sinatra, sets the thematic tone for the entire project. It is an album rooted in optimism, maturity, and musical sophistication. Rather than merely mimicking the mid-century swing era, Fygi and her arrangers injected a modern crispness into the tracks, making the album feel both nostalgic and entirely fresh. Tracklist and Musical Highlights
About the Album (2–4 short paragraphs)