24-192- ((top)) — Yes - Close To The Edge -2013- -flac

Listening to the 24-bit/192kHz (or 96kHz) FLAC files reveals textures previously hidden, such as the subtle acoustic guitar nuances in "And You And I" and the sheer dynamism of the 18-minute title track. "ASMR" Experience:

If you are a fan of progressive rock, and specifically Yes, the release is an essential purchase. It is not merely a "cash grab" but a thoughtful, lovingly crafted restoration of one of the greatest albums ever recorded. The FLAC format ensures the best possible sound quality, bringing the listener closer to the edge than ever before.

Critics described the mix as having "greater clarity and fuller dimensionality, as if every element in this collection of priceless family silver has been painstakingly polished by hand".

When Yes released Close to the Edge in 1972, they didn't just release an album; they cemented a cornerstone of progressive rock. Decades later, in 2013, this magnum opus received a sonic rejuvenation that audiophiles and prog-rock purists had long craved. The release, featuring the definitive remix by Steven Wilson, remains arguably the most immersive way to experience this masterpiece. Yes - Close To The Edge -2013- -FLAC 24-192-

: A sampling rate of 192kHz captures audio frequencies far beyond human hearing. While we cannot hear these ultrasonic frequencies directly, they preserve the phase relationships and timing accuracy of the waveforms. This creates a more realistic acoustic space.

Bonus Tracks : Often includes the full version of "America" and early rough mixes. Key Features of the 2013 Remix

Audiophile-grade, open-back headphones or high-fidelity studio monitors to properly resolve the expansive stereo imaging. 🏆 The Verdict Listening to the 24-bit/192kHz (or 96kHz) FLAC files

An aggressive, complex piece that closes the album with intense energy.

Warm, compressed, and iconic, but often suffers from "frequency crowding" in dense sections. 2013 Wilson Mix:

A FLAC 24-192 file of a 38-minute album clocks in at roughly . Compare that to a 320kbps MP3 at ~15 MB. Is the physical storage worth it? The FLAC format ensures the best possible sound

Option 1: The Audiophile's Perspective (Detailed & Enthusiastic)

The original 1972 stereo mix, handled by Eddy Offord, was a miracle of its time but suffered from "generational loss." Because 24-track tape machines were not yet standard, tracks had to be bounced down, injecting tape hiss and muddying the frequency spectrum. Wilson bypassed these historical limitations by digitizing the raw un-bounced multi-tracks at the highest possible resolution, reconstructing the pan pots, volume levels, and effect sends from scratch in the digital domain. Technical Specifications: FLAC 24-bit/192kHz

The use of the FLAC 24-192 format for the 2013 remaster of "Close to the Edge" means that listeners can enjoy the album with a level of sonic clarity and precision that was not possible with earlier releases. This is particularly beneficial for an album that was originally recorded with analog equipment and released during a period when audio fidelity was not as advanced.

This article dives into the technical brilliance, the sonic improvements, and the historical significance of the 2013 24-bit/192kHz high-resolution audio edition. 1. The Context: Why 2013 and Why FLAC 24-192?

Here is a deep dive into why this specific high-resolution edition remains an essential cornerstone of any digital music collection. The Definitive Steven Wilson Remix