: Played a perfect fifth away from the dominant chord to achieve a sound, perfect for non-resolving dominant chords. Symmetrical Scales
Take a single backing track (e.g., a Dorian minor vamp) and solo using only the corresponding melodic minor mode.
For decades, the intersection of blues grit and jazz harmonic complexity has been a holy grail for electric guitarists. Few have navigated this treacherous terrain as masterfully as Scott Henderson. Known for his tenure with Chick Corea’s Elektric Band, Tribal Tech, and his searing solo work, Henderson’s approach to improvisation is a unique blueprint. For the dedicated student searching for the quest is about more than finding tabs; it is about decoding a specific language of phrasing, chord scales, and rhythmic displacement.
The hallmark of Henderson’s style is his refusal to be bored by standard chord changes. He constantly superimposes different tonalities over chords to create tension and interest. scott henderson jazz fusion improvisation pdf work
A recurring theme in his written materials is the proportional rule : for every four bars of inside playing, no more than one bar of outside. This avoids the "college fusion" problem where students play chromatically simply because they can, losing all emotional core.
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Henderson rarely starts a phrase on "beat one." He utilizes syncopation and "playing behind the beat" to give his lines a relaxed, professional feel. Legato and String Skipping : Played a perfect fifth away from the
Pure jazz fusion can sometimes sound sterile or overly academic. Henderson avoids this trap by anchoring his most complex harmonic concepts with a heavy dose of traditional blues phrasing.
No matter how complex the harmony gets, Henderson maintains a blues sensibility, often mixing melodic minor scales with blues licks. 2. Key Techniques & Areas of Study
He rarely starts phrases on the "downbeat" (beat 1). Instead, he syncopates his entries, starting on the upbeats or stretching motifs across the bar line to create a sense of forward momentum and rhythmic tension. 4. Blues Integration: The Secret to Organic Fusion Few have navigated this treacherous terrain as masterfully
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When analyzing any , look for these three pillars:
Use vocal-like bends, slides, and vibrato.
A common trap for guitarists is "box pattern thinking." Players learn a scale shape vertically across six strings and get stuck moving up and down in one position. Henderson’s work focuses heavily on breaking these geometric chains. Intervallic Skipping
Instead of playing G minor pentatonic over a G7 chord, he might play B minor pentatonic to highlight the #11 and other extensions. Key Technical Pillars
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