--- Documentary Growing 1981 Larry Rivers Link ((new)): Download
However, the film's creation was not a simple artistic endeavor. It was a source of deep familial conflict. The girls' mother, Clarice Price, intervened to stop the film from being shown at the time, and Rivers ultimately put it away in his personal archives. The reasons for her opposition, and the fact that Rivers went ahead with the project regardless, hint at the power dynamics and profound lack of consent at the heart of the work.
Like many avant-garde video art pieces of the late 70s and early 80s, Growing was primarily distributed on physical tape reels or laserdiscs for gallery exhibitions and museum archives rather than commercial theaters.
The Larry Rivers Foundation and various institutions (like the NYU Fales Library or the Museum of Modern Art) hold fragments of Rivers' vast video archives. Due to copyright restrictions, music clearances (crucial given Rivers' jazz background), and privacy concerns regarding family members, these films are rarely cleared for mass digital distribution or commercial streaming platforms. --- Documentary Growing 1981 Larry Rivers LINK Download
Larry Rivers (1923–2002) was a foundational figure in American art, often cited as a crucial bridge between Abstract Expressionism and the Pop Art revolution. Known for his provocative lifestyle and boundary-pushing multimedia works, Rivers routinely used video cameras to document his personal life, family, and inner social circle.
In a time when the #MeToo movement has reshaped how we view power dynamics in creative industries, stands as a cautionary tale about the dangers of conflating artistic genius with moral immunity. Rivers believed his status as an artist justified nearly any subject matter. His daughters paid the price. However, the film's creation was not a simple
This article dives deep into the documentary’s origins, content, and significance within Rivers’ career. Moreover, it provides a responsible roadmap for those seeking to view the film legally, respecting the rights of the artist’s estate, distributors, and archives.
: In 2010, New York University (NYU) declined to include the tapes in their acquisition of the Larry Rivers archives, citing the ethical issues involved. The reasons for her opposition, and the fact
By 1981, Rivers was an established figure, yet he continued to experiment with new styles, techniques, and subjects. The documentary captures him during this mature, yet still evolving phase.
The documentary Growing (1981) captures several key themes that define Larry Rivers' work and life: 1. The Intersection of Pop and Abstract Expressionism